![]() French mats are well suited for period pieces, she explains, such as botanicals, architectural pieces or maps. For an even more ornate look, she sometimes cuts thin strips of decorative bookbinding paper and applies it between the hand-drawn lines. Next, she meticulously handdraws straight lines to frame in the watercolor, creating an extra layer of detail to draw the eye into the work of art. She carefully mixes just the right shade of watercolor to complement a piece of art and then applies it delicately to a mat. One of Wildman’s most unique offerings is the French mat, a specialty of Donna’s. ![]() “I enjoy seeing the look on their faces when they see it all come With her expert eye and willingness to listen to clients and discern their sense of style, she is able to create something beautiful and personal for her clients, even when they are unsure of what it is they are looking for. “What I enjoy is that it’s a business that makes people happy,” says Donna Wildman. From sleek white frames to ornate, hand-carved 22-karat goldleafed frames, Wildman Art Framing can serve the needs of any client and any type of space and budget Wildman also carries a wide range of mats in any color and texture imaginable, including silks and linens. Before it is time to hang the beautiful piece of art, where it will become part of the comforting atmosphere of the home, you must find just the right way to display it with complementary mats and a frame that not only fits the art but also ties it in with its surroundings.Īn expansive facility with thousands of frame and mat selections in all styles and materials, Wildman Art Framing in the Dallas Design District prides itself on its extensive selection of custom period frames, gilded and painted finishes, hardwoods, leather, steel, acrylic boxes and photo frames. When selecting a piece of art for the home, it is often chosen because it speaks to you-perhaps the colors are either calming or invigorating, perhaps the subject matter evokes a pleasant memory, or perhaps it is something deep and unspeakable in the brushwork of a painting.
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